Post-hardcore these days is such a catch-all term that bands filed under it can sound like emotional pop-rock with extra pedals at one end, or like something three steps from black metal
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Chris Broach made most of “Reality Sufferer” alone in his home studio, watching the country come apart in real time.
Oh, Italy. Italy again. I am finishing a special archive-exploration tool for IDIOTEQ, where readers will be able to move
Italy’s SEEK VALIDATION LOOP send “Dead Letter”, a cold new wave about dead chats and rebuilt hearts
โHi, Iโve never seen your new heartโ lands like a message sent to someone who still has the same face,
There is a kind of shine running through โAll Thatโs Leftโ that lands somewhere between shoegaze blur, alternative rock weight,
Fifteen years out from their last show in 2011, NJ post hardcore vets Rye Coalition had no plans to play
This is the album “Lit” opened the door to. “Make Me Feel Alive Again” is Jaguero’s first full-length, out April
Heavy shoegaze, nu-gaze, post-grunge, alt-rock with 90s blood in it, however you want to label it, the wave has been
There are a few Bottom Feeders kicking around heavy music. A Philadelphia hardcore outfit going by Bottomfeeder, written as one
The Chronicles of Manimal and Samara have built “Misantropi” as a direct argument against AI music. Real instruments. Real bodies.
Sparta have been doing this for more than two decades now. In the early 2000s a chunk of the audience
track by track
Every song March Dove have put out so far points to the same line. “Skyfalling”, “Buster Call”, “Descender”, “Jubilation”: all four point back to the title of their unannounced debut album, “I
Premieres
Bengaluru four-piece Maneating Orchid have built “Cosmic Shroud” without a single bar of 4/4 in it, and the song still moves like something you could nod to in a basement. It’s the second track on the band’s forthcoming third album “Cold Logic“, out June
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“Only Dark Shit” wasn’t an easy title to keep. The cuss in
Car vs. Driver existed for two years. Between 1993 and 1995 the
There was a stretch in the early 00s where ripping a lead
“No one knows the bottom” is Wall Street talk for the moment
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Interviews
The first time Gab De La Vega‘s name showed up on IDIOTEQ was in 2014, in an interview covering his band The Smashrooms, his solo work, and Epidemic Records, the label he runs out of Brescia. Twelve years later, his solo and label projects
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The ferry deal looked clean on paper. Car on board, gear on
Brat Farrar started as one person and grew into four. That’s not
Gareth Smith keeps a notebook for titles. Most come from books. The
Thirteen years after forming in Bergamo as a Misfits tribute act, The
