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Wreckonize, by trashhworldstar

April 2, 2026

Metallic hardcore mob WRECKONIZE push back on scene tourists with “Dead 2 Me / Nowhere 2 Run”

Slow Degrade

April 2, 2026

Heavy gazers SLOW DEGRADE trace love turning toxic on “lead me down”

Birdlegs

April 2, 2026

Hardcore pack BIRDLEGS confronts inherited damage and digital control on “Visions Beyond The Ape Cave”

Atticus Mitchell - CELEBRATING

April 1, 2026

On “Dance Music,” experimental bedroom act CELEBRATING chases peace through skramz, noise rock, old gear, and an imagined late-’90s past

HARK! A SHARK! - photo by Jaz @homebrewed_audacity

April 1, 2026

Pop punk rockers HARK! A SHARK! break a decade of silence with “Sirens” and the coming EP “Very Nice, Very Evil”

Anti-Corpos, by Oyemi

April 1, 2026

ANTI-CORPOS on 20 years of queer feminist noise punk, Berlin’s coldness, and refusing silence

Montreal’s sixteen-year-old punk trio General Chaos

April 1, 2026

Montreal teenagers GENERAL CHAOS push harder on “Busted” and map out the anger behind “Can’t Please ’Em All”

Brisk

April 1, 2026

BRISK’s “Do Nothing” brings Kuala Lumpur hardcore into alt-grunge territory

CHEVREUIL, by Alessio Federico

April 1, 2026

CHEVREUIL rebuild their magnetic system on “Ordrus” ahead of comeback double album “Stadium”

Airline

March 31, 2026

Shoegazin’ alt rockers AIRLINE push through fear and static on new EP “Koi”

football. etc., by Mario Tamez

March 31, 2026

FOOTBALL, ETC. look back on “The Draft,” 15 years later, built around James Vehslage’s memory

Ricky

March 31, 2026

Control without overthinking – RICKY’s slacker rock isn’t laziness on “What’s The Point”

escalate

March 31, 2026

ESCALATE strikes back with “The Cry of Nature,” a strike against speciesism, war, and human arrogance

Domi Hawken — Break My Heart Again

March 31, 2026

Domi Hawken’s “Break My Heart Again” keeps her 12 Songs, 12 Months project in motion

THE CAULFIELD CULT

March 31, 2026

10 years of “Cult”: THE CAULFIELD CULT turned doubt, burnout and self-disgust into something lasting

ROYAL COMMISSION

March 31, 2026

Weird alt post punk act ROYAL COMMISSION trace the making of “Dossier #1,” from disco accidents to Gospel noise and summer blackouts

eight

March 30, 2026

Finnish screamo pioneers EIGHT return with “Kuinka Löydän Luoksesi” and a full VR experience

Ebdromeer

March 30, 2026

EBDROMEER introduce Kazakhstan’s blackgaze underground with debut single “Leper”

Concealer

March 30, 2026

CONCEALER push past metalcore conventions on debut LP “This Room Could Be Heaven”

Blasart

March 30, 2026

BLASART turn eighteen years of rupture into the anti-Christian weight of “Depravatus Christianis Sacris”

Indecision

March 30, 2026

“30 Stories High” and the strange velocity of Bristol’s INDECISION

Naø Glover

March 30, 2026

Naø returns with “Islands,” a beautiful solo single about loneliness and self-isolation

Deep Sky Objects

March 30, 2026

Brooklyn’s DEEP SKY OBJECTS share “Banner of Light”, talk shoegaze philosophy, studio firsts, making big sound with three people

gentilesky

March 30, 2026

Post-punks GENTILESKY premiere video for their new single “1,000 Kez”

Odd Limbs

March 30, 2026

“Demonstrating Violence”, with ODD LIMBS

Pileup

March 30, 2026

Mellow shoegaze alt rockers PILEUP walk through their mesmerizing album “Leave The Light On”

Threat Letter by Oskari Moilanen

March 30, 2026

THREAT LETTER bring hardcore out of Rovaniemi with “Last Order Was a Mistake”

Undertone

March 27, 2026

Hengelo hardcore band UNDERTONE put all their anger into “Revolt Vol. 1”

March 27, 2026

ROSIER pull old folk language apart on “Plus d’amis” and find something eerily current

HISS (MG) – "Everything is just for one last broken circuit"

March 27, 2026

Brazilian dark screamo act H.ISS push further into collapse on “Everything is just for one last broken circuit”

Bodega Dog

March 27, 2026

BODEGA DOG returns with “Had Enough”, a short, piano-led single about burnout, stress, and lingering thoughts

TAROUG by M. Wesołowski

March 27, 2026

TAROUG turns family memory and southern Tunisian landscapes into the pull of “Chott”

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