There’s a particular weight to hardcore records that don’t just channel anger but actually sit with it, turn it over, and admit they don’t have answers. Without Love‘s “Diminishing Returns,” out now
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There’s a point where background noise stops being harmless and starts getting on your nerves. Wreckonize lock into that exact
There’s a moment in “lead me down.” where the song hangs back just long enough to feel unstable, like it
The phrase “Ape Cave” doesn’t sit as metaphor until Eric Ozenne pins it down to something specific: two father figures,
Celebrating’s “Dance Music” turns breakbeats, tape hiss, and dissociation into something harder to name Celebrating push further out on “Dance
The first time Hark! A Shark! properly came back, Nat Cottingham got to watch her kids watch the band. After
Some bands spend years trying to sound this direct. General Chaos got there by sixteen. “Busted,” the first single from
The Kuala Lumpur outfit arrive on April 1 with their debut single, “Do Nothing,” after nearly two years of writing,
Chevreuil have always treated the duo format like a piece of engineered performance architecture. Julien F. and Tony C. formed
The image that holds Airline’s new EP together is an old one: a koi swimming against the current, trying to
The first surprise in hearing J. Robbins’ new mix of “The Draft” was how little football, etc. wanted it to
track by track
Dave Graney gave Royal Commission an early nod on Triple R after playing “The Woman (Who Cannot Be Named),” singling out the fact that Dean Robb had recorded the whole thing on
Premieres
“The End Of War” was already a warning shot. “The Cry of Nature” sounds like Escalate stepping over the line and making the whole thing uglier on purpose — faster, meaner, stripped to impact. The Veszprém band have built their whole identity around that
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Not many bands can play this hard and still make it stick
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma.
Nine years is a long time to leave people hanging, but Antwerp’s
The name Gr4v1 is lifted from Roadside Picnic — the Strugatsky brothers’
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Interviews
Long before “This Room Could Be Heaven” was lined up as ZBR400, before the pre-orders and the sold-out splatter variant, Concealer were sitting in Justin’s living room in Orlando writing until four or five in the morning, turning a process that used to be
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Blasart never moved in a straight line, and that is all over
Somewhere between a 2am drive back from a gig and a 4am
“Islands” started as a journal entry about loneliness. Then a blog post.
Deep Sky Objects formed in January 2025, started playing shows almost immediately
