The last time we ran a piece on Carrion Spring was in late 2023, around the release of “How it all falls away petal by petal” — a record that already felt
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There’s a version of that mid-2000s New Jersey circuit that still hangs in the air if you talk to the
Sometimes it’s worth going back instead of chasing the next New Music Friday blur. When we last caught up with
There’s a point in “Lost and Haunted” where everything locks in — not in a clean, overworked way, but in
The tapes were sitting somewhere else the whole time. Back in May 2003, not long after Time Spent Driving had
There’s a point early on “Deconstructive Surgery” where Jeff Byers is yelling about time slipping through your hands—“Time is water
There’s a point in “Too Far” where the thought turns on itself — say what you mean, deal with what
The first version of “Watch You Go” moved fast and didn’t leave much room to think. It sat off to
The third single from (16)’s upcoming covers record lands like a confession. Their take on Black Flag’s “Beat My Head
The cover photo says enough before you even press play—Zoe, mid-wedding, caught in a moment that wasn’t meant to last.
A cheap PC, electronic drums, and a guitar pushed through an octave pedal—this is where CRAPGUM built a record that
track by track
Dave Graney gave Royal Commission an early nod on Triple R after playing “The Woman (Who Cannot Be Named),” singling out the fact that Dean Robb had recorded the whole thing on
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The first piece written for “Immobilism” takes its name from a way of painting—tenebrism, the heavy contrast of light and shadow associated with Caravaggio and Dürer. That same push and pull runs through the entire record, five instrumental suites built less like songs and
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Chevreuil have always treated the duo format like a piece of engineered
“The End Of War” was already a warning shot. “The Cry of
Not many bands can play this hard and still make it stick
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma.
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Interviews
Final Gasp headed out on a North American run just as “New Day Symptoms” came out February 27 on Relapse Records, produced by Arthur Rizk. New Day Symptoms by Final Gasp First proper headline stretch for the record, following a run of tours with
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He didn’t ease into it. By the time the first song started
The Warren is about a mile from Gerry LaFemina’s house, which means
The first dizzying seconds of “Necessities” don’t build toward anything. They circle.
“You better take the long way to see it through / Don’t
