The last time we ran a piece on Carrion Spring was in late 2023, around the release of “How it all falls away petal by petal” — a record that already felt
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Athens doesn’t have much of a screamo scene. Pray for Decadence know this — they built one anyway. The five-piece
The Oregon coast during king tides isn’t a calm place to film anything. Water moves where it wants, the light
The origin story for “Dane Valley,” Man Band’s lead single, is almost too on-the-nose. Chainy Rabbit — the band’s vocalist
After however many consecutive days of blast beats and feedback, something slow and open sounds less like a stylistic choice
Tromsø sits above the Arctic Circle — far enough north that summer doesn’t get dark and winter doesn’t get light.
“Volatile Simian Nervous-System” opens like a system crash – feedback, drum hits, two vocalists tearing at each other across a
There’s a streak of honest self-awareness in how The Ape talk about “Anticrats.” “Nothing original about it,” the Norwegian post-hardcore
Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes. “I did not want to give the audience
Eddy Marflak spends his days running an intervention and accountability program for men who have caused harm to their partners
Seven years ago, Nikos Giannaris had never played bass, didn’t know what a guitar pedal was, and was sitting in
track by track
Alberto Cornero admits upfront that breaking down Ape Unit songs is a strange exercise. “The music we play is so fast and distorted,” he says, “that I guess it’s easier to feel
Premieres
The back door of a brick bungalow in Evanston doesn’t look like much. Walk through it, head downstairs, cut past the laundry room, and you end up winding through a record collection and a jukebox before the space opens into something else: a room
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The sessions happened early in 2024 at Electrical Audio, with Steve Albini
Los Angeles industrial trio Signal Bleach’s new music video “Rats Eating Rats”
There’s a version of that mid-2000s New Jersey circuit that still hangs
The third single from (16)’s upcoming covers record lands like a confession.
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Interviews
The Arrivals have been gone long enough that a return record could’ve easily turned into a nostalgia lap. “Payload” doesn’t bother with that. The band’s first new album in more than 15 years is too busy staring down colonization, environmental ruin, nationalism, class power,
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There’s a very specific image that sticks: Mitsuru Tabata outside Nakano Sunplaza
Three years ago, Cathedral Bells were mapping out a hazy interior world—pulling
There’s barely any downtime in Shooting Daggers’ orbit. If they’re not playing
Doug wakes up already behind. The room isn’t his, the light’s too
