When “Senicarne” came out in July 2020, Fall Of Messiah watched it disappear into the pandemic. Four years of writing, no rooms to play it in. Three months later, Holy Roar Records
Suggestions
Suggestions
A band in Calgary got caught making their album and song art with AI. Benjamin Howells heard about it and
There’s been a strong run of post-rock coming across the desk lately โ a wave of epic, beautifully built records
First spins of Under the Moon pulled me back to hearing Balthvs for the first time โ that sensual, unhurried
Terror just dropped a twenty-minute documentary called “A Deeper Struggle,” shot on their Latin America tour back in January by
Quicksand have announced “Bring On The Psychics,” their first album in five years and their debut on Equal Vision Records.
Three letters that have done real work in hardcore: PMA. Positive Mental Attitude. Bad Brains and HR pulled it out
Before See You Next Tuesday’s Chris Fox and Chop โ the one-man noisegrind act from New Haven who operates under
“Prius,” “Saturn,” “Girls Scare Me,” “6 Train” โ on paper, Shower Beers’ debut album looks less like a tracklist and
“We try to bring together artists who wouldn’t necessarily share the stage normally. Those are usually the most interesting evenings.”
SEUM came together in a Montreal parking lot. June 2019, three French immigrants approaching 40 met for the first time
track by track
Today we’re premiering the official video for “Rat Race,” one of the cornerstones of The Post Seasons’ debut album “Songs For The Sound Guy” โ out now via Waddafuzz Records, RocketMan Records
Premieres
The new Onesie video moves through places where Ben Haberland’s father lived: his dad’s childhood house, the building where he worked, the old family apartment, the park they used to hang out at. Shot and directed by Brendan McKnight, the clip for “Twilight Years”
Read More โ
For most of their run, Boston’s rowdy oi punk rockers Badterms has
Call it post-metal or call it sludge โ the name matters less
There’s a streak of honest self-awareness in how The Ape talk about
Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes.
Popular
Interviews
Corporate Job named their debut EP “Dinner Leftovers” and then made the cover literal. Vincent Baills and Martin Cohen cooked a meal themselves, made a mess, photographed the plate, and Cohen โ a designer by trade โ pulled the four song titles through the
Read More โ
Experimental music moves across a wide field with a lot of shades,
For a stretch there โ around the mid-2010s, give or take โ
A backyard in East LA, a borrowed PA, flyers switching between Spanish
Mexico City trio Underground Palace are back as a full band with
