Every Sunday at Lindbergs Tavern in Springfield, Missouri, there’s an open jam. It’s the kind of thing that sounds unremarkable until you realize how many bands it keeps producing. Navi — Jonah
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April 30 has long carried a particular weight across Europe. In folklore, it is tied to Walpurgis Night, witches, bonfires,
There’s a fixed image at the center of Give Vent’s new EP: a house that stays the same while everything
Garden Walk didn’t ease into their debut. “Does It Feel Like Home?” opens with a sound that already feels worked
Not many bands can play this hard and still make it stick melodically. Daggers have been at this long enough
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma. George Floyd had just been killed by Minneapolis
The last time we ran a piece on Carrion Spring was in late 2023, around the release of “How it
December was hectic. But Piebald’s Travis Shettel sent over a video, and some things are worth revisiting regardless of the
Mitchell Layton spent a year and a half yelling vocals in his mom’s basement and recording DI guitar parts on
Van Gogh on the cover, Throbbing Gristle inside, a turtle, a balloon, and a proverb: anyone without a habitat is
Legbiter had already wrapped the “Worms” EP. Recorded and mixed by William Blackmoon (Gadget) at Overlook Studios in Gävle, mastered
track by track
“This is all very bleak.” Andrew Elter‘s opening note on “Collateral Damage” isn’t a warning label — it’s the point. When we covered Tension last October around the “Drought” single, the Edmonton
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Nine years is a long time to leave people hanging, but Antwerp’s Toxic Shock are making it count. “Creeping Reaper” is the second track off “Future Is Calling,” their incoming full-length on This Charming Man Records, and it hits like crossover thrash that’s been
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The name Gr4v1 is lifted from Roadside Picnic — the Strugatsky brothers’
There’s a line in guitarist Justin Smith’s notes about the current state
Six notes on a guitar, looped and warped through pedals until it
A small Buddha magnet sat on the piano while Ania Babrakowska wrote.
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The word “off” does a lot of quiet work. It can mean a switch flipped, a feeling that won’t sit straight, a world gone slightly crooked at the edges. For Belgian shoegaze trio Ohio Mark, it became the title of their debut full-length —
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Raging Nathans frontman heard Fat Heaven’s “Crybaby” in his car before he
Oceano’s “Mass Produced” was the exact moment Nic Heidt checked out. Not
Forked are a hardcore band currently scattered between Germany and Poland, but
Sydney punk duo Smallways. didn’t sit down and plan a conceptual two-part
