When “Senicarne” came out in July 2020, Fall Of Messiah watched it disappear into the pandemic. Four years of writing, no rooms to play it in. Three months later, Holy Roar Records
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Athens has been losing its free spaces for years. The squats and collectives that once hosted punk shows for nothing
Sydney’s bassist and vocalist Anto Boros reached out to Keith Buckley (Every Time I Die, Many Eyes) cold. “Worst he
Six months before Spanish quartet Medussa walked into OVNI Estudios in late 2025 to track their fifth LP, they swapped
The song we’re pleased to premiere today is written from the perspective of the person doing the cutting off. That’s
The band is called ‘92. Their friend Brillo, who was also born in 1992, became part of the overlap that
The opening line attached to Monkโs new single is frank enough to function as a mission statement: no one is
Philipp’s grandmother was born in East Berlin in 1943. She never knew her father, fled the GDR with her mother
Nashville’s indie scene, in Dillon Wilson’s reading, has settled into a kind of polite uniform โ long-sleeves under t-shirts, the
I truly think that most modern music journalism sucks. Thereโs an argument to be made that it has always sucked.
Growing up on the road with my parents, touring felt exciting. Life in the music industry was feast or famine,
track by track
Nicholas Pentabona wrote “Aroused” thinking about his partner, Jenice Taylor โ specifically about how she’s had several major life events through the years that made her feel trapped, and how she now
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The April sun in Warsaw isn’t fixing anything. It’s cold out โ the kind of cold that makes the calendar feel like a typo. “Faking Life,” the new single from For Example John, doesn’t care. It’s the most chaotic riff guitarist Piotr Pietrzak says
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A band in Calgary got caught making their album and song art
The new Onesie video moves through places where Ben Haberland’s father lived:
For most of their run, Boston’s rowdy oi punk rockers Badterms has
Call it post-metal or call it sludge โ the name matters less
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DC teen band PETRICHOR take aim at wealth extraction and ICE terror on “Richest Witches of the West”
You can read a thousand pieces about how 2026 teenagers are being eaten by their phones. Petrichor โ four DC kids between 14 and 16 โ spent roughly half a year writing a hardcore-leaning protest song instead. It’s out April 24 as “Richest Witches
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No Turning Back was written before the worst of it. Hold Me
First spins of Under the Moon pulled me back to hearing Balthvs
Before See You Next Tuesday’s Chris Fox and Chop โ the one-man
SEUM came together in a Montreal parking lot. June 2019, three French
