Sokratous 26, in Omonoia at the dead centre of Athens, was running as a musicians’ building since the early 2000s — empty offices from the 1970s gradually converted into rehearsal rooms across
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There’s a point early on “Deconstructive Surgery” where Jeff Byers is yelling about time slipping through your hands—“Time is water
There’s a point in “Too Far” where the thought turns on itself — say what you mean, deal with what
The first version of “Watch You Go” moved fast and didn’t leave much room to think. It sat off to
The third single from (16)’s upcoming covers record lands like a confession. Their take on Black Flag’s “Beat My Head
The cover photo says enough before you even press play—Zoe, mid-wedding, caught in a moment that wasn’t meant to last.
A cheap PC, electronic drums, and a guitar pushed through an octave pedal—this is where CRAPGUM built a record that
The first time elbowsway put their music out, it felt almost weightless. No expectations, no plan beyond finishing something and
The barn in Hereford has become a constant — weekends disappearing into writing, rehearsing, and long stretches of just existing
A record split into three movements doesn’t drift — it locks in, circles, and refuses to break. Fainting Dreams approach
Final Gasp headed out on a North American run just as “New Day Symptoms” came out February 27 on Relapse
track by track
Dave Graney gave Royal Commission an early nod on Triple R after playing “The Woman (Who Cannot Be Named),” singling out the fact that Dean Robb had recorded the whole thing on
Premieres
The first piece written for “Immobilism” takes its name from a way of painting—tenebrism, the heavy contrast of light and shadow associated with Caravaggio and Dürer. That same push and pull runs through the entire record, five instrumental suites built less like songs and
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Chevreuil have always treated the duo format like a piece of engineered
Not many bands can play this hard and still make it stick
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma.
Nine years is a long time to leave people hanging, but Antwerp’s
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The first dizzying seconds of “Necessities” don’t build toward anything. They circle. A pulse locks in, then tightens, as if the track is trying to convince itself it exists at all. That loop sets the tone for Mother Giraffe’s debut LP, “Food Is a
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“You better take the long way to see it through / Don’t
There’s a line buried in “Albatros” — “My nest is a boat
There’s a point where background noise stops being harmless and starts getting
There’s a moment in “lead me down.” where the song hangs back
