There’s a guy in Maple Ridge, British Columbia, who picks up a vinyl pressing of his band’s new album at 7pm the night before the release show. The records weren’t supposed to
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“You better take the long way to see it through / Don’t care about the wrong way, got better things
A blown-out bass line, two minutes and eight seconds, and a title that says more than it first appears to.
There’s a moment in “From Home They Run” where everything briefly lifts — tension gives way to something close to
There’s a line buried in “Albatros” — “My nest is a boat / With which I sail Oceans and Seas”
There’s a point where background noise stops being harmless and starts getting on your nerves. Wreckonize lock into that exact
There’s a moment in “lead me down.” where the song hangs back just long enough to feel unstable, like it
The phrase “Ape Cave” doesn’t sit as metaphor until Eric Ozenne pins it down to something specific: two father figures,
Celebrating’s “Dance Music” turns breakbeats, tape hiss, and dissociation into something harder to name Celebrating push further out on “Dance
The first time Hark! A Shark! properly came back, Nat Cottingham got to watch her kids watch the band. After
Anti-Corpos have been doing this long enough to know what punk says about itself, and what actually happens once the
track by track
Dave Graney gave Royal Commission an early nod on Triple R after playing “The Woman (Who Cannot Be Named),” singling out the fact that Dean Robb had recorded the whole thing on
Premieres
Chevreuil have always treated the duo format like a piece of engineered performance architecture. Julien F. and Tony C. formed the band in 1998 after meeting three years earlier at art school, then stripped the setup down until it behaved less like standard rock
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“The End Of War” was already a warning shot. “The Cry of
Not many bands can play this hard and still make it stick
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma.
Nine years is a long time to leave people hanging, but Antwerp’s
Popular
Interviews
Slacker rock is one of those tags that sounds half-serious until a band decides to stand inside it without apologizing. Ricky do exactly that. Not as a joke, not as a dodge, and not as some sleepy aesthetic shortcut either. For the San Diego
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By the third month, the pace has already started to show. “Break
There is a line running through Ebdromeer’s debut single “Leper” that lands
Long before “This Room Could Be Heaven” was lined up as ZBR400,
Blasart never moved in a straight line, and that is all over
