The April sun in Warsaw isn’t fixing anything. It’s cold out — the kind of cold that makes the calendar feel like a typo. “Faking Life,” the new single from For Example
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A child is speaking, and the calm is the worst part. They came at night, the child says. They had
The chorus on Milk St.’s new single “Just So” goes “Why are you so sad all the time,” and Jonah
On “Impostor Syndrome,” the latest single from their November 2025 album “Adrift,” Milan-area shoegaze and post-rock band No Pine Mall
The drums on most of “Auralux” are demos. Michael Smyth went up to his practice space, re-skinned the kit, put
If you were planning to cue something up for an LSD trip, save the dose. Veradas already drill straight into
The Municipal Market of Vic isn’t there anymore. Power Burkas watched the demolition happen, then wrote a song about it.
Raein and Weatherday share a flyer at Kafe Kult on the second weekend of May. One is, by any standard
“I Thought I Saw You In My Dreams” is the longest Letterbombs song to date. It takes up the band’s
The chimera in question isn’t just the album title. Murosuono are five Roman musicians who came up in completely different
Fran Beceiro writes drum parts before he writes anything else. That’s where most Supercore tracks start, in his Buenos Aires
track by track
In Nevers, in the 90s, the bands came in on cassette. Skateboarding got Homeground there first — then the compilations did the rest. Burning Heart sent Satanic Surfers and Millencolin into circulation,
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Four days in northern France, summer and autumn 2025, and “The Chaser” came out the other end without a single AI frame in it. The blood inside the American Ford van is SFX. The tracker device and the slaughter gun prop are homemade. Friends
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Sydney’s bassist and vocalist Anto Boros reached out to Keith Buckley (Every
The song we’re pleased to premiere today is written from the perspective
A band in Calgary got caught making their album and song art
When “Senicarne” came out in July 2020, Fall Of Messiah watched it
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Most of “Tijuana“‘s two minutes and forty-one seconds is the same line coming back at you – “Do you wanna meet in Tijuana? You know I got ya.” That’s the design. It’s a singalong before it’s a song, built to be screamed back from
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Five years after “[laughs]”, Kali Masi want to clear something up: they
“Avenger Level Threat” plays out in the foreground at full intensity. Behind
Memphis and Little Rock, mid-1990s. Jonathan and cartoonist Nate Powell were both
Jesse Corwood is 31, lives with his mother in Portland, New York,
