Anti-Corpos have been doing this long enough to know what punk says about itself, and what actually happens once the room fills up. “For every 1 out of 5 Anti-Corpos concerts we
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The first version of small talk. gathered around an iPod Touch in 2013, pressing record and hoping it would hold
They met in practice rooms built for music written centuries ago, where precision mattered more than impulse and every note
The shift happened before the band was fully a band. Early Adorn demos leaned closer to metalcore, written by Kalen
There’s a version of that mid-2000s New Jersey circuit that still hangs in the air if you talk to the
Sometimes it’s worth going back instead of chasing the next New Music Friday blur. When we last caught up with
There’s a point in “Lost and Haunted” where everything locks in — not in a clean, overworked way, but in
The tapes were sitting somewhere else the whole time. Back in May 2003, not long after Time Spent Driving had
There’s a point early on “Deconstructive Surgery” where Jeff Byers is yelling about time slipping through your hands—“Time is water
There’s a point in “Too Far” where the thought turns on itself — say what you mean, deal with what
The first version of “Watch You Go” moved fast and didn’t leave much room to think. It sat off to
track by track
The cover photo says enough before you even press play—Zoe, mid-wedding, caught in a moment that wasn’t meant to last. Cash Bribe decided to keep it anyway. White Wedding by Cash Bribe
Premieres
The third single from (16)’s upcoming covers record lands like a confession. Their take on Black Flag’s “Beat My Head Against the Wall” doesn’t stretch or decorate the original so much as drag it through three decades of their own history with it still
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The first piece written for “Immobilism” takes its name from a way
Chevreuil have always treated the duo format like a piece of engineered
“The End Of War” was already a warning shot. “The Cry of
Not many bands can play this hard and still make it stick
Popular
Interviews
Final Gasp headed out on a North American run just as “New Day Symptoms” came out February 27 on Relapse Records, produced by Arthur Rizk. New Day Symptoms by Final Gasp First proper headline stretch for the record, following a run of tours with
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He didn’t ease into it. By the time the first song started
The Warren is about a mile from Gerry LaFemina’s house, which means
The first dizzying seconds of “Necessities” don’t build toward anything. They circle.
“You better take the long way to see it through / Don’t
