Final Gasp headed out on a North American run just as โNew Day Symptomsโ came out February 27 on Relapse Records, produced by Arthur Rizk. New Day Symptoms by Final Gasp First
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Quicksand have announced “Bring On The Psychics,” their first album in five years and their debut on Equal Vision Records.
Three letters that have done real work in hardcore: PMA. Positive Mental Attitude. Bad Brains and HR pulled it out
Before See You Next Tuesday’s Chris Fox and Chop โ the one-man noisegrind act from New Haven who operates under
“Prius,” “Saturn,” “Girls Scare Me,” “6 Train” โ on paper, Shower Beers’ debut album looks less like a tracklist and
“We try to bring together artists who wouldn’t necessarily share the stage normally. Those are usually the most interesting evenings.”
SEUM came together in a Montreal parking lot. June 2019, three French immigrants approaching 40 met for the first time
Leeds psych four-piece The Venus Children write songs with a Rubik’s cube, an hour of transcendental meditation a week, and
First spin on Menderbug’s new single โ the instinct was to file its first seconds of run time somewhere near
Today we’re premiering the official video for “Rat Race,” one of the cornerstones of The Post Seasons’ debut album “Songs
Rope’s Alessio wrote this album using what he calls guided visualization in reverse. The technique is typically meant to help
track by track
“Some of us are like abandoned buildings โ there’s nothing left inside.” That line loops through the opener of Adiรณs Caballos’ new EP, and it’s where the record gets its name. “Edificios
Premieres
The new Onesie video moves through places where Ben Haberland’s father lived: his dad’s childhood house, the building where he worked, the old family apartment, the park they used to hang out at. Shot and directed by Brendan McKnight, the clip for “Twilight Years”
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For most of their run, Boston’s rowdy oi punk rockers Badterms has
Call it post-metal or call it sludge โ the name matters less
There’s a streak of honest self-awareness in how The Ape talk about
Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes.
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Interviews
For a stretch there โ around the mid-2010s, give or take โ the internet consensus on post-rock was that the well had dried up. Too many builds, too many crescendos, too many bands leaning on the same three pedals and the same letterbox cover
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A backyard in East LA, a borrowed PA, flyers switching between Spanish
Mexico City trio Underground Palace are back as a full band with
Alive Inside’s new 7″ “The Only Way Out” has a different cover
The cover of Tinder Youth’s debut single is one hand locked around
