Long before “This Room Could Be Heaven” was lined up as ZBR400, before the pre-orders and the sold-out splatter variant, Concealer were sitting in Justin’s living room in Orlando writing until four
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Leeds psych four-piece The Venus Children write songs with a Rubik’s cube, an hour of transcendental meditation a week, and
First spin on Menderbug’s new single — the instinct was to file its first seconds of run time somewhere near
When “Senicarne” came out in July 2020, Fall Of Messiah watched it disappear into the pandemic. Four years of writing,
Today we’re premiering the official video for “Rat Race,” one of the cornerstones of The Post Seasons’ debut album “Songs
Rope’s Alessio wrote this album using what he calls guided visualization in reverse. The technique is typically meant to help
The new Onesie video moves through places where Ben Haberland’s father lived: his dad’s childhood house, the building where he
Corporate Job named their debut EP “Dinner Leftovers” and then made the cover literal. Vincent Baills and Martin Cohen cooked
“Some of us are like abandoned buildings — there’s nothing left inside.” That line loops through the opener of Adiós
For most of their run, Boston’s rowdy oi punk rockers Badterms has been a two-man recording project. Curt Florczak and
Call it post-metal or call it sludge — the name matters less than what Oxide actually do with instrumental heavy
track by track
The B-side of the vinyl is engraved with a Karl Marx line: “Capital is dead labour, which, vampire-like, lives only by sucking living labour, and lives the more, the more labour it
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There’s a streak of honest self-awareness in how The Ape talk about “Anticrats.” “Nothing original about it,” the Norwegian post-hardcore act says of their new single. “It’s just a big F**K YOU to MAGAs, Zionists, Putinists, and the like.” They’re right on the first
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Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes.
The back door of a brick bungalow in Evanston doesn’t look like
The sessions happened early in 2024 at Electrical Audio, with Steve Albini
Los Angeles industrial trio Signal Bleach’s new music video “Rats Eating Rats”
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Mexico City trio Underground Palace are back as a full band with a new single, “Lo Que Prometiste” (What You Promised) — post-punk and dream pop on the melancholy end, pulsating bass, chorus-and-delay guitars, restrained rather than theatrical. We caught up with them to
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Alive Inside’s new 7″ “The Only Way Out” has a different cover
Pilori’s third album landed on February 6th on Frozen Records, ten years
The cover of Tinder Youth’s debut single is one hand locked around
“I genuinely feel like I am going crazy, on like a daily
