Three founding members leaving your band in 2023 is, by most measures, the kind of thing that kills a project. For Giante — a post hardcore / emo outfit from Vitoria-Gasteiz in
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Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes. “I did not want to give the audience
Eddy Marflak spends his days running an intervention and accountability program for men who have caused harm to their partners
Seven years ago, Nikos Giannaris had never played bass, didn’t know what a guitar pedal was, and was sitting in
Alberto Cornero admits upfront that breaking down Ape Unit songs is a strange exercise. “The music we play is so
HOLOCAUSTS, the Israeli anti-Zionist crust punk band, and what resistance looks like from the inside
Several months ago, here in Mexico, I began receiving hateful and threatening anti Jewish emails and whatsapp messages. Jewish people
Growing up in Boston; I don’t know how other people felt, but I don’t think I ever felt like I
If you were a crust punk in the 90’s, and if you had your ear to the ground; then you
The Arrivals have been gone long enough that a return record could’ve easily turned into a nostalgia lap. “Payload” doesn’t
The back door of a brick bungalow in Evanston doesn’t look like much. Walk through it, head downstairs, cut past
The sessions happened early in 2024 at Electrical Audio, with Steve Albini (also featured today in this feature) behind the board
track by track
The tapes were sitting somewhere else the whole time. Back in May 2003, not long after Time Spent Driving had already split, a message went out to J. Robbins about mixing a
Premieres
Los Angeles industrial trio Signal Bleach’s new music video “Rats Eating Rats” hits like a short circuit: glitchy, abrasive, and hypnotic. Each frame is drenched in rapid movements and chaotic colors, where digital dystopia meets analog artifacts. Visual layers of saturated friction expand over
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There’s a version of that mid-2000s New Jersey circuit that still hangs
The third single from (16)’s upcoming covers record lands like a confession.
The first piece written for “Immobilism” takes its name from a way
Chevreuil have always treated the duo format like a piece of engineered
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Interviews
Doug wakes up already behind. The room isn’t his, the light’s too sharp, and the first step out the door lands him in a version of the street that seems to have agreed on one thing: he doesn’t belong there. That’s the entire setup
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There’s a point where everything collapses at once and you either disappear
Galang walked into Ibung’s coffee shop and the conversation drifted backward —
There’s a moment early in Podłoga’s new EP where the pulse could
The first hit lands like a fist into concrete — short pause,
