Before See You Next Tuesday’s Chris Fox and Chop โ the one-man noisegrind act from New Haven who operates under the name Chop Chop Chop Chop Chop Chop Chop โ settled on
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“Avenger Level Threat” plays out in the foreground at full intensity. Behind the performer, in the same shot, a sitcom
There’s a band-breakup story Music is the Enemy keep coming back to. A gig in Arizona, nobody watching, multiple hours
Four days in northern France, summer and autumn 2025, and “The Chaser” came out the other end without a single
Memphis and Little Rock, mid-1990s. Jonathan and cartoonist Nate Powell were both teenagers in the South’s DIY punk circuit โ
There’s a particular kind of heaviness that only works when there’s enough air around it to actually hear it fall
The video for Cut Short’s new single “Unrequited” was filmed in the Liverpool room where the Titanic was sold. The
Jesse Corwood is 31, lives with his mother in Portland, New York, and runs an underground label called with 17
Sparta will always be deep in my heart, and it’s nice to see them still doing something interesting after all
Athens has been losing its free spaces for years. The squats and collectives that once hosted punk shows for nothing
Sydney’s bassist and vocalist Anto Boros reached out to Keith Buckley (Every Time I Die, Many Eyes) cold. “Worst he
track by track
Nicholas Pentabona wrote “Aroused” thinking about his partner, Jenice Taylor โ specifically about how she’s had several major life events through the years that made her feel trapped, and how she now
Premieres
The song we’re pleased to premiere today is written from the perspective of the person doing the cutting off. That’s the angle Trash n’ Privilege take on “Best That You’re Dead”, their new single out May 1st. “The song is from the point of
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A band in Calgary got caught making their album and song art
When “Senicarne” came out in July 2020, Fall Of Messiah watched it
The new Onesie video moves through places where Ben Haberland’s father lived:
For most of their run, Boston’s rowdy oi punk rockers Badterms has
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Interviews
There’s a part of “Porno” Elsa Yepes doesn’t remember playing. Her brain literally cuts the recording. “My brain faces fear = erases parts of the experience to protect me,” she says. What’s left when the song ends is a corrosive feeling and the doubt
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The Korg Prologue that defined SSAANN‘s sound wasn’t even theirs. In the
The Wolfess arrives somewhere between worlds. On “Hunter in the Veil,” the
DC teen band PETRICHOR take aim at wealth extraction and ICE terror on “Richest Witches of the West”
You can read a thousand pieces about how 2026 teenagers are being
No Turning Back was written before the worst of it. Hold Me
