For a stretch there — around the mid-2010s, give or take — the internet consensus on post-rock was that the well had dried up. Too many builds, too many crescendos, too many
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The Chronicles of Manimal and Samara have built “Misantropi” as a direct argument against AI music. Real instruments. Real bodies.
Sparta have been doing this for more than two decades now. In the early 2000s a chunk of the audience
Matt Hartman played second guitar on the five songs Dead to Fall cut at Cloud City Studios in Detroit in
Fall in Boston is moving season. On their debut LP “The Autumn Here,” out today, Robo Pumpkin tell the story
Twenty years into putting on shows and playing in Belgian punk and hardcore crews, the four people who became Wrvng
The opening track on Lou Lou Louie!‘s debut album “Social Smoking” is called “Kaio-ken x10”. For Dragon Ball fans, the
Every song March Dove have put out so far points to the same line. “Skyfalling”, “Buster Call”, “Descender”, “Jubilation”: all
The first time Gab De La Vega‘s name showed up on IDIOTEQ was in 2014, in an interview covering his
The ferry deal looked clean on paper. Car on board, gear on board, both ends of the trip sorted, a
Bengaluru four-piece Maneating Orchid have built “Cosmic Shroud” without a single bar of 4/4 in it, and the song still
track by track
Blunt Force came together when their guitarist clocked their future vocalist’s No Time shirt at a Spectral Voice show and the two of them stayed talking for the rest of the gig.
Premieres
“Only Dark Shit” wasn’t an easy title to keep. The cuss in it means YouTube clips honeybee’s videos, ad platforms flag every promotion, and the Cleveland band gets dinged any time they try to push the record online. They kept it anyway. “In the
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Car vs. Driver existed for two years. Between 1993 and 1995 the
There was a stretch in the early 00s where ripping a lead
“No one knows the bottom” is Wall Street talk for the moment
If you were planning to cue something up for an LSD trip,
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Interviews
When a Barcelona band lands on IDIOTEQ, the expectation usually goes one way. Emo, maybe screamo, definitely something melodic with heart in it. Disposal arrived to flip that. Their debut demo “In Reverence to Nothing” sits at the opposite end of the city’s hardcore
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Everett Tea picked “long–tailed cat” as the lead single off their sophomore
Look at the cover for “WHAT I’M DOIN‘” long enough and the
Tæl have always had a single technical question at the center of
Michael Stipe probably hasn’t heard the new Tojo Yamamoto 7-inch yet, but
