Milan Trachta — Mr. Banana to anyone who spent time on the European hardcore circuit — didn’t set out to write a music feature. He was dealing with some health issues, had
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There’s a moment in “F Me Tender” where the language drops any metaphor and just states it: “I starve myself.”
Los Angeles industrial trio Signal Bleach’s new music video “Rats Eating Rats” hits like a short circuit: glitchy, abrasive, and
A car losing control, hands back on the wheel, then slipping again — that’s the stretch of time Matt Bass
The first version of small talk. gathered around an iPod Touch in 2013, pressing record and hoping it would hold
They met in practice rooms built for music written centuries ago, where precision mattered more than impulse and every note
The shift happened before the band was fully a band. Early Adorn demos leaned closer to metalcore, written by Kalen
There’s a version of that mid-2000s New Jersey circuit that still hangs in the air if you talk to the
Sometimes it’s worth going back instead of chasing the next New Music Friday blur. When we last caught up with
There’s a point in “Lost and Haunted” where everything locks in — not in a clean, overworked way, but in
The tapes were sitting somewhere else the whole time. Back in May 2003, not long after Time Spent Driving had
track by track
There’s a point early on “Deconstructive Surgery” where Jeff Byers is yelling about time slipping through your hands—“Time is water in the desert”—and it doesn’t land like a metaphor so much as
Premieres
The third single from (16)’s upcoming covers record lands like a confession. Their take on Black Flag’s “Beat My Head Against the Wall” doesn’t stretch or decorate the original so much as drag it through three decades of their own history with it still
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The first piece written for “Immobilism” takes its name from a way
Chevreuil have always treated the duo format like a piece of engineered
“The End Of War” was already a warning shot. “The Cry of
Not many bands can play this hard and still make it stick
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Interviews
The first time elbowsway put their music out, it felt almost weightless. No expectations, no plan beyond finishing something and letting it exist. “When we released our first single, I personally did not have any expectations. It was my first experience sharing my creative
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The barn in Hereford has become a constant — weekends disappearing into
Final Gasp headed out on a North American run just as “New
He didn’t ease into it. By the time the first song started
The Warren is about a mile from Gerry LaFemina’s house, which means
