The April sun in Warsaw isn’t fixing anything. It’s cold out โ the kind of cold that makes the calendar feel like a typo. “Faking Life,” the new single from For Example
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Nashville’s indie scene, in Dillon Wilson’s reading, has settled into a kind of polite uniform โ long-sleeves under t-shirts, the
I truly think that most modern music journalism sucks. Thereโs an argument to be made that it has always sucked.
Growing up on the road with my parents, touring felt exciting. Life in the music industry was feast or famine,
Ali Lipman’s mom used to clip Dear Abby columns and leave them around the house when Ali was a teenager.
There’s a part of “Porno” Elsa Yepes doesn’t remember playing. Her brain literally cuts the recording. “My brain faces fear
The cover catches you before anything else โ a naked figure on the ground in a snowy forest, edelweiss at
The Korg Prologue that defined SSAANN‘s sound wasn’t even theirs. In the winter of 2024, Melissa Simes was stepping in
When the question came up about how emoviolence, blackened hardcore, and post-metal cross over on House of The Blood Choir’s
The Wolfess arrives somewhere between worlds. On “Hunter in the Veil,” the second single from Urzah‘s incoming LP, that figure
Nicholas Pentabona wrote “Aroused” thinking about his partner, Jenice Taylor โ specifically about how she’s had several major life events
track by track
Post-hardcore these days is such a catch-all term that bands filed under it can sound like emotional pop-rock with extra pedals at one end, or like something three steps from black metal
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A band in Calgary got caught making their album and song art with AI. Benjamin Howells heard about it and it steered his own record the opposite direction โ fully analog, one recurring image, a 1984 Minolta X-700 as the only camera. That image
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When “Senicarne” came out in July 2020, Fall Of Messiah watched it
The new Onesie video moves through places where Ben Haberland’s father lived:
For most of their run, Boston’s rowdy oi punk rockers Badterms has
Call it post-metal or call it sludge โ the name matters less
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Interviews
SEUM came together in a Montreal parking lot. June 2019, three French immigrants approaching 40 met for the first time outside the now-defunct Katakombes, waiting for Dopethrone to start a set at the nearby Club Soda. Gaspard had been in Lord Humungus, Piotr in
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First spin on Menderbug’s new single โ the instinct was to file
Rope’s Alessio wrote this album using what he calls guided visualization in
Corporate Job named their debut EP “Dinner Leftovers” and then made the
Experimental music moves across a wide field with a lot of shades,
