The April sun in Warsaw isn’t fixing anything. It’s cold out โ the kind of cold that makes the calendar feel like a typo. “Faking Life,” the new single from For Example
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The video for Cut Short’s new single “Unrequited” was filmed in the Liverpool room where the Titanic was sold. The
Jesse Corwood is 31, lives with his mother in Portland, New York, and runs an underground label called with 17
Sparta will always be deep in my heart, and it’s nice to see them still doing something interesting after all
Athens has been losing its free spaces for years. The squats and collectives that once hosted punk shows for nothing
Sydney’s bassist and vocalist Anto Boros reached out to Keith Buckley (Every Time I Die, Many Eyes) cold. “Worst he
Six months before Spanish quartet Medussa walked into OVNI Estudios in late 2025 to track their fifth LP, they swapped
The song we’re pleased to premiere today is written from the perspective of the person doing the cutting off. That’s
The band is called ‘92. Their friend Brillo, who was also born in 1992, became part of the overlap that
The opening line attached to Monkโs new single is frank enough to function as a mission statement: no one is
Nashville’s indie scene, in Dillon Wilson’s reading, has settled into a kind of polite uniform โ long-sleeves under t-shirts, the
track by track
Nicholas Pentabona wrote “Aroused” thinking about his partner, Jenice Taylor โ specifically about how she’s had several major life events through the years that made her feel trapped, and how she now
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A band in Calgary got caught making their album and song art with AI. Benjamin Howells heard about it and it steered his own record the opposite direction โ fully analog, one recurring image, a 1984 Minolta X-700 as the only camera. That image
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When “Senicarne” came out in July 2020, Fall Of Messiah watched it
The new Onesie video moves through places where Ben Haberland’s father lived:
For most of their run, Boston’s rowdy oi punk rockers Badterms has
Call it post-metal or call it sludge โ the name matters less
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There’s a part of “Porno” Elsa Yepes doesn’t remember playing. Her brain literally cuts the recording. “My brain faces fear = erases parts of the experience to protect me,” she says. What’s left when the song ends is a corrosive feeling and the doubt
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The Korg Prologue that defined SSAANN‘s sound wasn’t even theirs. In the
The Wolfess arrives somewhere between worlds. On “Hunter in the Veil,” the
DC teen band PETRICHOR take aim at wealth extraction and ICE terror on “Richest Witches of the West”
You can read a thousand pieces about how 2026 teenagers are being
No Turning Back was written before the worst of it. Hold Me
