If you’re after something heavy, atmospheric, and genuinely experimental, these artists simply never disappoint. We’ve worked with both John Cxnnor and Hiraki across multiple publications and projects over the years, and each
Suggestions
Suggestions
“You better take the long way to see it through / Don’t care about the wrong way, got better things
A blown-out bass line, two minutes and eight seconds, and a title that says more than it first appears to.
There’s a moment in “From Home They Run” where everything briefly lifts — tension gives way to something close to
There’s a line buried in “Albatros” — “My nest is a boat / With which I sail Oceans and Seas”
There’s a point where background noise stops being harmless and starts getting on your nerves. Wreckonize lock into that exact
There’s a moment in “lead me down.” where the song hangs back just long enough to feel unstable, like it
The phrase “Ape Cave” doesn’t sit as metaphor until Eric Ozenne pins it down to something specific: two father figures,
Celebrating’s “Dance Music” turns breakbeats, tape hiss, and dissociation into something harder to name Celebrating push further out on “Dance
The first time Hark! A Shark! properly came back, Nat Cottingham got to watch her kids watch the band. After
Some bands spend years trying to sound this direct. General Chaos got there by sixteen. “Busted,” the first single from
track by track
Dave Graney gave Royal Commission an early nod on Triple R after playing “The Woman (Who Cannot Be Named),” singling out the fact that Dean Robb had recorded the whole thing on
Premieres
Chevreuil have always treated the duo format like a piece of engineered performance architecture. Julien F. and Tony C. formed the band in 1998 after meeting three years earlier at art school, then stripped the setup down until it behaved less like standard rock
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“The End Of War” was already a warning shot. “The Cry of
Not many bands can play this hard and still make it stick
4am, phone in hand, watching protest livestreams from Wright Park in Tacoma.
Nine years is a long time to leave people hanging, but Antwerp’s
Popular
Interviews
By the third month, the pace has already started to show. “Break My Heart Again,” out March 31, is the latest piece in Domi Hawken’s 12 Songs, 12 Months project, a self-imposed schedule that leaves little room for overthinking and even less for delay.
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There is a line running through Ebdromeer’s debut single “Leper” that lands
Long before “This Room Could Be Heaven” was lined up as ZBR400,
Blasart never moved in a straight line, and that is all over
Somewhere between a 2am drive back from a gig and a 4am
