Final Gasp headed out on a North American run just as “New Day Symptoms” came out February 27 on Relapse Records, produced by Arthur Rizk. New Day Symptoms by Final Gasp First
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Earlier today we ran a piece with Transmission Zero that leaned into the melodic side of post-rock, but this one
For a stretch there — around the mid-2010s, give or take — the internet consensus on post-rock was that the
A backyard in East LA, a borrowed PA, flyers switching between Spanish and English depending on who’s holding the marker
Mexico City trio Underground Palace are back as a full band with a new single, “Lo Que Prometiste” (What You
The B-side of the vinyl is engraved with a Karl Marx line: “Capital is dead labour, which, vampire-like, lives only
Alive Inside’s new 7″ “The Only Way Out” has a different cover color for every partner label pressing it. The
Pilori’s third album landed on February 6th on Frozen Records, ten years to the month after the Rouen four-piece opened
The cover of Tinder Youth’s debut single is one hand locked around another’s wrist. It comes from a tattoo Italian
“I genuinely feel like I am going crazy, on like a daily basis.” That’s State Power vocalist Stefan, not dressing
Before this record, Shi ran for Congress as a leftist, then stayed inside that world for a few years after
track by track
Alberto Cornero admits upfront that breaking down Ape Unit songs is a strange exercise. “The music we play is so fast and distorted,” he says, “that I guess it’s easier to feel
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There’s a streak of honest self-awareness in how The Ape talk about “Anticrats.” “Nothing original about it,” the Norwegian post-hardcore act says of their new single. “It’s just a big F**K YOU to MAGAs, Zionists, Putinists, and the like.” They’re right on the first
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Rob Savillo banned stage banter. Replaced it entirely with harsh noise interludes.
The back door of a brick bungalow in Evanston doesn’t look like
The sessions happened early in 2024 at Electrical Audio, with Steve Albini
Los Angeles industrial trio Signal Bleach’s new music video “Rats Eating Rats”
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After however many consecutive days of blast beats and feedback, something slow and open sounds less like a stylistic choice and more like oxygen. Waterdeer‘s debut double A-side single “Goddamn//Cassandra” lands that way — spacious, unhurried, carrying the kind of weight that settles in
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Tromsø sits above the Arctic Circle — far enough north that summer
“Volatile Simian Nervous-System” opens like a system crash – feedback, drum hits,
Seven years ago, Nikos Giannaris had never played bass, didn’t know what
The Arrivals have been gone long enough that a return record could’ve
