When a band has been around for 45 years, the word return usually comes out automatically. Dezerter avoid that trap entirely. 2026 marks their 45th year, but nothing about “Wolny wybieg” is
When a band has been around for 45 years, the word return usually comes out automatically. Dezerter avoid that trap entirely. 2026 marks their 45th year, but nothing about “Wolny wybieg” is
Oslo’s Feral Nature don’t mess around with half-measures. Their new video for “Cradle of Twigs & Bone” ditches the safety
Toronto’s madfolk are over apologizing for the stuff they grew up on. Their new single “Katherine” hit January 21st through
There’s this Lee Bains + the Glory Fires record from 2022 called Old-Time Folks that Luke Ottenhof keeps coming back
Jimy Dawn describes Shaun Day Woods as both a magician and a musician. The distinction matters when you’re trying to
When Josh, the bassist for Middle–Aged Queers, pitched covering Mazzy Star’s “Fade Into You,” frontman Shauners was skeptical. Then Josh
“Vell i cabrejat” translates roughly to “old and pissed off,” which is about as straightforward as it gets. It’s one
Argentine instrumental outfit Monovoth returns with “To live in the Breath of Worship,” an album born from turbulence both personal
Dean Cass and Matt Sullivan have been playing together since 2009, when they met in Fremantle during Cass’s backpacking trip
When you finally cover a band that shaped how you think about hardcore, it means something. São Paulo’s Questions are
Huntington Beach’s Hatespeech dropped their debut full-length “Orange County” with a specific target in mind: the idyllic suburban community masking
Three years since their last record VOR, the German outfit formerly called Tourette Boys comes back swinging. Thanks, I Hate It drops Friday through Exile On Mainstream, and the title tells you
The new Damasco album arrives with a clear frame. “Fear is one of our most primordial and instinctive feelings,” the band writes, setting the tone for “Miedo al Miedo,” a record built around anticipatory fear – “feeling fear, anxiety or panic even before it
Read More →Before there was a plan for a release, there was just a
Dramatist didn’t arrive quietly. Before anyone outside the circuit had a track
“Always Looking Behind” arrives January 14, with a self-made video following on
“Three two one, one two three. Hang a Nazi from a tree.”
For years, if they wrote something too clean, they’d wreck it on purpose. A straightforward melody would get buried under noise, refused its natural direction, kept from taking up space. That was the method: tension over resolution, dissonance instead of ease. Their sound lived
Read More →“Matrimony” sounds like eighties synth-pop refracted through the lens of people who’ve
Mike Bromberg says he was lucky. Born in New York when the
If your first thought is this sounds like noise, you’re not wrong.
SCORN didn’t start as a “new band” plan. It started as a