The April sun in Warsaw isn’t fixing anything. It’s cold out — the kind of cold that makes the calendar feel like a typo. “Faking Life,” the new single from For Example
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Slovak band Sinner Self just dropped their new single “Malignant” today across streaming services, with the official music video set
East Los Angeles Hyper Minds releases their visceral new single, “Sink or Swim” – a hyper-analytical, three-minute track that transforms the
Tony Gonzalez doesn’t gravitate toward major chords. The Norwegian songwriter, also of noise rock duo Barren Womb plus Twin Serpent
Winded shoot “Double Memoir” video alone on a phone during a Miami lunar eclipseOn the night of March 2nd, Thrin
São Bernardo do Campo, the city Undergust call the cradle of Brazilian punk, runs on grind and crust as much
The bad trip in “Dose” is not treated like a warning sign. For Trip Villain, it is closer to a
On the night of October 26–27, 1999, Małgorzata Żarnowska, a 25-year-old railway track guard, was killed at the KD-1 signal
“Ladra. Morde. A festa não para.” Barks. Bites. The party doesn’t stop. That’s the tagline Mangualde attached to their debut
For “November“, Honey VHS pulled the band off the song. The Brooklyn duo had tried a layered studio version, the
In episode 3 of True Detective season 1, Marty Hart is describing a traveling revival ministry he and Rust Cohle
track by track
This is the album “Lit” opened the door to. “Make Me Feel Alive Again” is Jaguero’s first full-length, out April 10, 2026 via Anchors Aweigh Records, arriving after two EPs and four
Premieres
Twenty years into putting on shows and playing in Belgian punk and hardcore crews, the four people who became Wrvng looked around, found the same amount of anger sitting in everyone, and decided the moment called for it. “Spectacle of Fear” is the first
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Bengaluru four-piece Maneating Orchid have built “Cosmic Shroud” without a single bar
There was a stretch in the early 00s where ripping a lead
“No one knows the bottom” is Wall Street talk for the moment
If you were planning to cue something up for an LSD trip,
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There is a kind of shine running through “All That’s Left” that lands somewhere between shoegaze blur, alternative rock weight, and the more spacious end of nu metal – that old pull of huge bass tones, blown-out mood, and open air around the guitars
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Fifteen years out from their last show in 2011, NJ post hardcore
Heavy shoegaze, nu-gaze, post-grunge, alt-rock with 90s blood in it, however you
There are a few Bottom Feeders kicking around heavy music. A Philadelphia
Matt Hartman played second guitar on the five songs Dead to Fall
